44.1 kHz or 48 kHz?

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El°HYM wrote: Fri Sep 15, 2023 6:12 pm I have a feeling this will not end very good.
no, there is another....

the prophecy states, that on page 30, there will be one who brings balance.

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:help:
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev

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El°HYM wrote: Fri Sep 15, 2023 6:12 pm I have a feeling this will not end very good.
This is KVR. Does it ever? :lol:
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP

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Compromise and split the difference - 46.05.

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El°HYM wrote: Fri Sep 15, 2023 6:26 pm:help:
:hug:

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The first Digital Multitracker (3M) already used 50 kHz... but this was in 1978. :shrug:
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev

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El°HYM wrote: Fri Sep 15, 2023 6:45 pm The first Digital Multitracker (3M) already used 50 kHz... but this was in 1978. :shrug:
yeah, but i was kinda busy with play doh n ting at that point in time.
stickle bricks as well.

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Some people seem to be very nostalgic as it seems.

https://www.youtube.com/watch?v=7oF8dtRHVgc
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev

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me too
"if" i bother with another "album" i will look at going for a 12" vinyl record release only! f**k digital (except for the samplers :party: )

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El°HYM wrote: Fri Sep 15, 2023 6:45 pm The first Digital Multitracker (3M) already used 50 kHz... but this was in 1978. :shrug:
This goes back to what I said about ADAT and DASH. They were digital storage. All of the mixing, processing, and manipulation all happened in the analogue domain. Math wasn't being performed directly on the digital audio. Bits weren't being changed, voltage was.

When the digital tape was played back, it was decoded back to analogue, so digital artifacting never got a chance to accumulate.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP

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I am actually still buying cassettes, brother vurt. Also looking for a pair of LA-4's.
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev

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Oh the irony. I need to put preamp distortion on every one of my pristine digitally recorded channels from nice clean digital sources, because obviously distortion makes thing clearer, wider and more present ( a quote from somebody nearby here), but I should do it subtly so that I can't hear it. But to do this I need to work and record at 8000MHz (which doesn't add anything to my CPU at all, because I've bought more plugins to counteract the upsampling I've chosen to inflict on myself) to mitigate the effects of aliasing caused by me adding distortion to everything I do, but this particular distortion is really bad even though it's so subtle that I can't hear it. Not like good dirty inaudible distortion though.

I do wonder if Churchill's infamous quote about pulling oneself up by one's own bootstraps being a f**king stupid and impossible thing to do might apply here.

1. Distortion is good. Use it everywhere.
2. Distortion will cause aliasing.
3. Aliasing is bad.
4. Aliasing is distortion.
5. Distortion is bad.
6. Stratospheric sampling rate to stop aliasing.

I think I have a solution.

1. Don't make distortion.

Personally, I like my 1 step. Seems easier to me.
Q. When I poke myself in the eye it hurts.
A. Don't poke your eye. :shrug:
Last edited by kritikon on Fri Sep 15, 2023 10:05 pm, edited 1 time in total.

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but i like distortion. :shrug:

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Does it hurt though?

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sometimes. but it's a sexy hurt.

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