Latest News: Bitwig updates Bitwig Studio to 5.2
Share your tracks.
- KVRist
- 61 posts since 8 Dec, 2004 from Spain
Just switched to Bitwig so finding my way around. Here's the first track using Bitwig 4.3 https://soundcloud.com/gerry-cooper-855 ... little-bit
https://soundcloud.com/gerry-cooper-855281238
Windows 11 64 Bit, Installed Ram 16 GB, DDR4 3600 MHz, 11th Gen Intel(R) Core(TM) i5-11400F @ 2.60GHz
Windows 11 64 Bit, Installed Ram 16 GB, DDR4 3600 MHz, 11th Gen Intel(R) Core(TM) i5-11400F @ 2.60GHz
- KVRist
- 133 posts since 7 Apr, 2018
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VORTEXBASSMUSIC VORTEXBASSMUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=574600
- KVRer
- 4 posts since 31 Jul, 2022
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- KVRer
- 27 posts since 25 Mar, 2017
YEEES! I do Orchestral Music in Bitwig Studio
https://www.youtube.com/watch?v=kP5EcOJK9g4
I hope you guys enjoy!
https://www.youtube.com/watch?v=kP5EcOJK9g4
I hope you guys enjoy!
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- KVRer
- 6 posts since 26 Jan, 2021
Latest Psytrance track from TDP. I've been removing all non native plug ins so no down to Serum, Vital, Klanghelm set, Eventide Blackhole and Valhalla Plate which I just can't live without
Ozora
Ozora
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- KVRist
- 251 posts since 19 Jan, 2008 from Poland
Some discofunkygroovey sounds
Listen to Ed Ganger Funky Short by DustJoit on #SoundCloud
https://soundcloud.app.goo.gl/56Nvp
Listen to Ed Ganger Funky Short by DustJoit on #SoundCloud
https://soundcloud.app.goo.gl/56Nvp
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- KVRer
- 2 posts since 4 Nov, 2020
- KVRist
- 438 posts since 28 Apr, 2003 from Sweden
Hi guys,
For this track, I was recording only MIDI into Bitwig and using Vienna Instruments Pro (on the same computer) as my sounds rack server for orchestral samples. Audio streaming back into Bitwig by four subs, corresponding to the main four instrument groups of the typical symph orch. Each sub bus is being compressed subtly before being globally summed at BWS's main stereo output.
https://soundcloud.com/pboy/texture-tra ... 065c140f's
For this track, I was recording only MIDI into Bitwig and using Vienna Instruments Pro (on the same computer) as my sounds rack server for orchestral samples. Audio streaming back into Bitwig by four subs, corresponding to the main four instrument groups of the typical symph orch. Each sub bus is being compressed subtly before being globally summed at BWS's main stereo output.
https://soundcloud.com/pboy/texture-tra ... 065c140f's
Greetings from Sweden
Per Boysen
http://www.perboysen.com
Dell i7Q 3,4 MHz 32 GB RAM. Acer ZenBook Flip. Ableton Push#1, Fractal Audio AxeFx2. EWI, Cello, Chapman Stick, Guitars, Alto Flute, Tenor Sax.
Per Boysen
http://www.perboysen.com
Dell i7Q 3,4 MHz 32 GB RAM. Acer ZenBook Flip. Ableton Push#1, Fractal Audio AxeFx2. EWI, Cello, Chapman Stick, Guitars, Alto Flute, Tenor Sax.
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- KVRer
- 11 posts since 10 Oct, 2003
I'm using Bitwig 4.1.6 on Linux Mint. This is the first whole track I made there
https://yggdrasilrecords.bandcamp.com/t ... rykt-ikkje
https://yggdrasilrecords.bandcamp.com/t ... rykt-ikkje
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- KVRer
- 1 posts since 4 Sep, 2022
AUTO-ADMIN: Non-MP3, WAV, OGG, SoundCloud, YouTube, Vimeo, Twitter and Facebook links in this post have been protected automatically. Once the member reaches 5 posts the links will function as normal.
I made this song in Bitwig https://jackalandhyde.bandcamp.com/track/anomaly (https://jackalandhyde.bandcamp.com/track/anomaly)- KVRist
- 438 posts since 28 Apr, 2003 from Sweden
For this track, I found great use of BWS's moog-styled filter. I used it to, temporarily, duck down the high frequencies of the strings behind the sparse sax notes. I did this by automation (rather than by side-chaining), so that I could bring back the string's top end slowly as the sax delay fx echoes out. I also used the filter device on the sax track, with the envelope follow setting, to make the sax sound smoother and more breathy with less top end.
And I found a rewarding way to use the XY Instrument device. Instead of loading four instruments, I loaded four arpeggiators with the steps set to #3, #4, #5, and #6. Then I fetched its four MIDI output streams with Note Receiver devices into four tracks hosting a Contrabassoon, a Bassoon, a Clarinet, and another Clarinet. You hear this group kicking in after the crescendo in the middle.
https://soundcloud.com/pboy/texture-of- ... al_sharing
And I found a rewarding way to use the XY Instrument device. Instead of loading four instruments, I loaded four arpeggiators with the steps set to #3, #4, #5, and #6. Then I fetched its four MIDI output streams with Note Receiver devices into four tracks hosting a Contrabassoon, a Bassoon, a Clarinet, and another Clarinet. You hear this group kicking in after the crescendo in the middle.
https://soundcloud.com/pboy/texture-of- ... al_sharing
Greetings from Sweden
Per Boysen
http://www.perboysen.com
Dell i7Q 3,4 MHz 32 GB RAM. Acer ZenBook Flip. Ableton Push#1, Fractal Audio AxeFx2. EWI, Cello, Chapman Stick, Guitars, Alto Flute, Tenor Sax.
Per Boysen
http://www.perboysen.com
Dell i7Q 3,4 MHz 32 GB RAM. Acer ZenBook Flip. Ableton Push#1, Fractal Audio AxeFx2. EWI, Cello, Chapman Stick, Guitars, Alto Flute, Tenor Sax.
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- KVRAF
- 4752 posts since 3 Oct, 2013 from Budapest
"Where we're workarounding, we don't NEED features." - powermat
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- KVRer
- 11 posts since 13 Sep, 2021
As usual a track is never finished, because there is always something to add or change, but I have put a lot of work into this, meanwhile learning more about filters, plugins and Dune.
At first I thought I was doing something wrong with the Dune arpeggiator, because I assumed it was polyphonic.
So I had to come up with a workaround to get a better melody, like changing note lengths, note starts and stops, velocity response. And I seemed to have started with a set of chords that didn't match the chord that the arpeggiator used.
So I had to tweak the individual arpeggiator notes, then tweak the chords again because then the chords didn't match anymore, and so on.
I also used a lot of filters on the melodies.
My initial idea was to make a kind of Berlin school ambient, without using a standard four on the floor basskick. I added my own recorded birdsounds and used several Spitfire Audio LABS sounds.
All this resulted in an 18 minutes 23 seconds ambient-ish track on which I have probably spent around 100 hours to finetune and tweak by now.
Created in Bitwig Studio 16-Track, recorded straight from DAW at 48 kHz.
https://www.soundcloud.com/eternatease- ... s-ambiente
Comments are welcomed.
At first I thought I was doing something wrong with the Dune arpeggiator, because I assumed it was polyphonic.
So I had to come up with a workaround to get a better melody, like changing note lengths, note starts and stops, velocity response. And I seemed to have started with a set of chords that didn't match the chord that the arpeggiator used.
So I had to tweak the individual arpeggiator notes, then tweak the chords again because then the chords didn't match anymore, and so on.
I also used a lot of filters on the melodies.
My initial idea was to make a kind of Berlin school ambient, without using a standard four on the floor basskick. I added my own recorded birdsounds and used several Spitfire Audio LABS sounds.
All this resulted in an 18 minutes 23 seconds ambient-ish track on which I have probably spent around 100 hours to finetune and tweak by now.
Created in Bitwig Studio 16-Track, recorded straight from DAW at 48 kHz.
https://www.soundcloud.com/eternatease- ... s-ambiente
Comments are welcomed.