Log InCreate An Account
  1. News
  2. »
  3. Virtual Effects
  4. »
  5. Three-Body Technology

Three-Body Technology releases "Kirchhoff-EQ" Plug-in featuring Dynamic Processing and Vintage Models

-
Three-Body Technology

Three-Body Technology has announced the release of Kirchhoff-EQ, an 32-band parametric EQ plugin built for all critical professional applications.

Here's what they say:

Kirchhoff-EQ has refined sound quality, analogue-matched curves, 11 filter types with continuously variable shape and 30 vintage EQ types modelled from real-world devices. The built-in dynamic processing functions are highly flexible and have ultra-low distortion.

Sound Quality

Through originally developed "Robust Nyquist-matched Transform", Kirchhoff-EQ has made digital-domain frequency response more approximate to its analogue counterparts without high frequency cramping as in regular IIR(infinite impulse response) equalizers. This technique is applied on all filter types in Kirchhoff-EQ.

High-Precision Processing

The internal processing of Kirchhoff-EQ is always in 64-bits (or 117-bits), regardless host DAW's current working precision.

Psychoacoustic Adaptive Filter Topologies

All linear filter structures should have same sound on paper. However in real-world application, round-off errors make every filter structure sound differently: some better in low frequency, some better in high frequency.

A technology called "Psychoacoustic Adaptive Filter Topologies" has been deployed in Kirchhoff-EQ. Filter structures change themselves to a "best fitting" state along with corresponding band frequency changes, making optimized sound quality in both low and high frequency.

Click here to know more about how Psychoacoustic Adaptive Filter Topologies works.

Switchable Ultra-High 117-bits Processing

Kirchhoff-EQ uses a technique called "Double-Double" to make precision of internal processing reach 117 bits. They say this is the first equalizer in the world to reach such precision. You can switch between 64-bits and 117-bits at any time.

* Linear-phase mode always use 64-bits as it is an FIR(finite impulse response) filter, and does not support 117-bits.

11 Unique Filter Types:

  • Low pass, high pass, band pass: continuously variable from 0 dB/oct to 96 dB/oct;
  • Bell, notch: continuously variable from 12 dB/oct to 96 dB/oct;
  • Low shelf, high shelf, tilt shelf: continuously variable from 6 dB/oct to 96 dB/oct;
  • Flat tilt and flat top;
  • Sword: has sharper slope than bell, specifically designed to "dig" out resonances.

The slope of most filter types can be continuously changed from 0 dB/oct, 6 dB/oct or 12 dB/oct up to 96 dB/oct. Would you like to try a 8.125 dB/oct highpass?

30 Filter Types Modeled from Historic Vintage EQs

Three-Body Technology modeled 8 vintage EQ hardware units into Kirchhoff-EQ, in total of 30 EQ types. Benefit from Robust Nyquist-Matched Transform, every EQ type precisely matches the original hardware and won't cramp near Nyquist frequency. For a further step, unlike the original hardware that only allows to choose between several frequency positions, they modified the DSP model to make adjustable frequency points for all these types. Every type in these models can be used together with regular EQ types or other modeled types, and can be applied with dynamic functions (except lowpass and highpass types). This brings you more freedom and convenient operations.

* No non-linear behaviors were modeled. All vintage filter types only contain ideal linear parts of their physical model.

Zero-Latency/Analogue/Linear/Mixed Phase Modes

The phase mode of Kirchhoff-EQ is switchable between zero-latency mode, analogue mode, linear phase mode and mixed phase mode.

Mixed Phase Mode

The zero-latency and linear phase mode has very different sound. Kirchhoff-EQ provides a mixed mode that uses zero-latency when band frequency point is low, and uses linear phase when it is high. Each band could smoothly changed between minimum and linear phase mode according to their frequency.

* There is no noticeable crossover between filter types while in mixed phase mode, transition is seamless.

Flexible Dynamic EQ Functions

Dynamic functions in Kirchhoff-EQ are not just a bonus. Enabling you to achieve unlimited possibilities of dynamic EQ functions. All filter types (except low/high pass, band pass and notch), even these vintage-modelled ones, can be applied with dynamic functions.

Harmonic Shifted Envelope

All dynamic EQ have odd- and non-integral harmonics, that's the laws of physics. By using advanced DSP techniques, Kirchhoff-EQ now "shift" most energy of odd-harmonics into even-harmonics, making an ultra-low noise floor and enhanced sound. Now you can use dynamic functions with freedom without worrying about smashing your sounds.

Click here to know more about how Harmonic Shifted Envelope Detection works

Two-Way Threshold

You can now control how dynamics react to the portion of signal above/below threshold concurrently. In Kirchhoff-EQ, the "Above" stage works as a compressor or upward-expander, and the "Below" stage works as an expander or upward-compressor. For example, you can raise the signal below the threshold AND compress the signal above the threshold to "stabilize" a band.

Detect/Relative Envelope Detection

The dynamics are affected by both current frequency band and relative portion to a "Relative" band. The contribution of Relative Envelope Detection to dynamics is also adjustable: when set to 0%, it degrades as a normal dynamic EQ; and when set to 100%, the amount of dynamics is fully calculated from the relative portion.

The "detect" band is set according to the frequency and Q of the band by default, "Relative" is the whole audio envelope by default. But they can be set freely.

The detecting band and relative band have a freely adjustable frequency point and Q value.

Or enable "S.C." mode to make "Detect" or "Relative" to a sidechain signal.

Onsets Detection Mix

By turning on "Onsets" mix, the envelope detector reacts more specifically to transients inside of the envelope. So you can fine-tune the tone of transients. For better adjustability, you can "mix" envelope detector and onsets detector. For example, you can compress the high frequencies just a little bit whilst compressing the sudden increase of high frequencies more aggressively.

Spectrum Grab

Kirchhoff-EQ allows you to locate a specific frequency peak rapidly by directly grabbing on spectrum.

Switchable 2x Oversampling

Kirchhoff-EQ has built-in 2x oversampling that can be freely turned on/off.

Per-Band Directional EQ

Each band can be set as mid/side or left/right processing, so you can pan a band Left or right, or adjust Mid/Side, or just left, right, mid and side separately.

Extreme CPU Optimization

Through hand-written assembly code commands, Kirchhoff-EQ achieves ultra low CPU workload.

Low Clicking Noise

Three-Body Technology put a lot of effort in to reducing clicking noises while performing parameter changes, type switching, bypass on/off and enter/leave solo listening mode.

GPU Accelerated GUI

The GUI is rendered using OpenGL.

Visual-Comfort Spectrometer

The spectrum panel of Kirchhoff-EQ is carefully optimized for visuals and is freely configurable. You can adjust its decibel range, refresh speed, resolution, frequency scaling and brightness. You can even directly specify its center frequency.

User-Customizable Settings

How to trigger a war on forum? Ask them if a Q value shall increase/decrease when mouse wheels up. To help speed-up your workflow, Kirchhoff-EQ provides a rich set of options allowing you to cast it to your own handy tool.

Other Features:

  • Solo mode.
  • Phase invert.
  • Automatic gain compensation.
  • Gain scale.
  • Adjustable spectrum center.
  • Resizable interface.
  • Full-screen mode.
  • MacOS Retina and Windows high-DPI support.
  • Piano roll display.
  • Pre-EQ/post-EQ/both spectrum.
  • Multi-band selection.
  • Multiple display ranges: 3dB, 6dB, 12dB, 18dB, 30dB.
  • Output level meter.
  • Presets and user-defined defaults.
  • Undo/redo and A/B switching.
  • VST2, VST3, Audio Units, AAX Native (64-bit).

Latency:

  • Minimum-Phase: 0.
  • Analog Phase: 63 sample points, about 1.4ms (44100Hz sample rate).
  • Mix Phase: 63-2047 sample points, depends on band frequency point.
  • Linear Phase: 4095, 8191, 16383, 32767, 65535 sample points.

Price: $109.

Kirchhoff-EQ Trial Version

Learn more about Kirchhoff-EQ

Discussion

Discussion

Discussion: Active

Please log in to join the discussion