Reviewed By Uncovered Pitch [all]
June 6th, 2018
Version reviewed: 1.0 on Mac
Have been testing this for the last few days and it really does what it says on the tin-whatever you put through it simply sounds better! I have many exciters and "vintage" EQs and none of them could open up a mix-or single track/group-as well as Pi & Phi. It feels like you can reach inside the sound and the controls are very forgiving too so it's hard to make it sound bad.
Obviously if you add a lot of mid-and-top enhancement then the low end is going to sound less deep in a loudness-matched setup. Apparently this is going to be addressed in a future update, but until then it works great to use their equally-new Musiqual Red, Blue and Green EQs to add low-end weight and make the sound even more expensive. To me these don't behave like regular EQs, but more like analogue colour or tone boxes with added sound-shaping capabilities.
There is no manual and very little other info but when you put Pi & Phi(and the other 3) into a sweetening chain and then take them off(with loudness matching of course), it feels like you've just gone back to making demos instead of records. The plug-ins "envelop" the sound with an open, satisfying, 3D, big-studio quality that is hard to "un-hear". Thumbs up.
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I am using Pi and Phi since the first day and I love it. I found it very easy to use and brings the sound that I want very easy and very fast
For me, everything that pass from Pi and Phi sounds better and I have an impression that the sound comes "in front" from speakers
In my plugin "strips" there is always at least one Pi and Phi, in my "money channel" or to the master section.
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