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OPL
OPL by discoDSP is a Virtual Instrument Audio Plugin and a Mobile Audio App and a Software Application for macOS, Windows, Linux and iOS. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an AAX Plugin and a Standalone Application.
Product
Version
2.4.2
Product
Version
2.4.2
Product
Version
2.4.2
Product
Version
2.4.0
Instrument
Formats
Sample Formats
Loads and/or Saves
SBI
Copy Protection
Serial Number
Open Source
GPL 3

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58 KVR members have added OPL to 39 MyKVR groups 78 times.

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Overall: 1670   1348   1624   221   66

30-Day: 3563; 7-Day: 3698; Yesterday: 3407

The Yamaha OPL2 chip, introduced in 1985, defined video game soundtracks of the 80s and 90s. discoDSP OPL emulates the OPL2's FM and additive synthesis, including its unique percussion mode. With 16x oversampling for alias-free sound and over 2000 presets included, discoDSP OPL is perfect for classic game soundtracks, electronic music, or unique sounds, bringing the iconic OPL2 chip to your productions.

https://www.discodsp.com/opl/

{See video at top of page}

Latest User Reviews

Average user rating of 4.00 from 1 review
OPL

Reviewed By Ehma [all]
August 15th, 2024
Version reviewed: 2.4 on Mac

When I started making music on a computer (MAO) in the early 90s, I swore by high-quality PCM, but I could only afford OPL in a crappy PC or small, not-so-great PCM (SB AWE32, Roland SC, MT, or Yamaha MU). Time passed, and I now have quality equipment (Roland Fantom, some boutiques, Aria, and other true analog and FM gear from the era like TX7/FB01), but for years I've been searching for those sounds that, I must say, have a certain charm.

I've tried and bought many products, like Porta FM or RYM2612 (which are not bad at all) and now OPL.

FM Lofi and Chiptune

Of course, you won't make Hans Zimmer music with this, but it sometimes adds a little something to mixes or even for making chiptune.

It's OPL 2, so an old generation with only 2 operators. We're far from DX7 sounds and even more from TG77 or FS1.

You'd almost believe it, but with a bitcrusher and a slight background of white noise, it really sounds like a Sound Blaster Pro (the worst).

Having only 2 operators allows for a simple approach to FM, and despite the many patches provided (some of which are really good), it's not uninteresting to try making your own sounds to playfully approach the FM spirit and understand a bit the influence of different parameters. Especially since the interface is clear (I wouldn't say intuitive, because FM is not the most intuitive synthesis) and pleasant to use.

So, the cherry on top is that, through a small bug, I ended up facing the support team, who are very friendly and very responsive. I was even very surprised.

Among the many patches (I haven't counted them, but there are really a lot), there are some very surprising quality sounds, not really chiptune/lofi. Others are faithful replicas of what we had back then. The basses are excellent, as are some keyboards and brass.

In Short

This virtual instrument, for Windows, Mac (ARM compatible), and Linux, gives me full satisfaction. I think it can suit anyone who is nostalgic, makes chiptune/lofi, or even more serious electro. It's very affordable and really pleasant to use.

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